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Take the Young Man by the Hand: Same-Sex Relations and the YMCA, by John Donald Gustav-Wrathall; University of Chicago Press; 267 pages; $23.00. 
The Young Men's Christian Association's reputation as a
hotbed of homosexuality goes back a long way. When I was in the process of
coming out as a gay man (in the early seventies, AKA the Stone Age), I
quickly learned that the Miami "Y" was the place to cruise, along with the
Greyhound Station, the Rio Theater and Bayfront Park.
Though I never did cruise the "Y", I knew men who did; and they regaled me with stories and anecdotes that went back to World War Two and beyond. By the time the late Jacques Morali got around to writing the song "YMCA" for his Village People (1978), the YMCA was as much of a gay Mecca as San Francisco, Fire Island, or Key West. This went over the head of most heterosexuals, to who "YMCA" was just a fun party song with clever hand signals. Little did they know. The long and storied history of the YMCA and same-sex relations is told in Take the Young Stranger By the Hand, by independent scholar John Donald Gustav-Wrathall.
No one saw anything wrong with two youths sleeping together, or writing each other hot, passionate letters. Many of the early YMCA "secretaries" - according to Gustav-Wrathall, "'Secretary' was the term used to refer to the employed general executive of a YMCA" --were lifelong bachelors who devoted their lives to their young charges and who enjoyed long, intimate relationships with other single men. All this changed after the 1880s, when society became more aware of unorthodox sexuality. The YMCA itself "shifted from a purely spiritual mission to a mission that encompassed physical culture and vigilance against sexual immorality". Same-sex "friendships" and bachelor secretaries began to be suspect. Still, "the emphasis on friendship was too important a part of the organization not to survive into the twentieth century. But after 1900, YMCA leaders began to qualify the stress on friendship with warnings against excess and concern about homosexuality." Women began to be admitted to the "Y", and heterosexuality became the order of the day. Ironically, the YMCA's new emphasis on "family values" came at a time when the organization became (in)famous as a haven for gay sex. "The new stress on physicality, masculine strength, and male beauty that evolved in the YMCA's physical culture actually encouraged the sexualization of male relationships. . . The fact that YMCA buildings were physically oriented, male-only spaces, easily accessible, largely free of supervision, and safe from police surveillance made them an ideal setting for same-sex sexual activity." Staff members, often gay themselves, tolerated gay cruising at YMCA buildings, and only when scandal broke was society aware of the "Y's" dirty little secret. The story of the YMCA, and how it "went from celebrating to suppressing men whose emotional center was other men", is a tale worth telling, and it is only surprising that it hasn't been told till now. In Take the Young Stranger By the Hand, Gustav-Wrathall examined the YMCA files and the existing literature to write a thorough, scholarly tome. At times the book is too scholarly, bogging down in details and statistics what could have been a very exciting story. The narrative picks up considerably when it quotes from Donald Vining's diaries, and we can only regret that Gustav-Wrathall did not spice his tale with more of this kind of personal, and sexy, anecdotes. Doing so would have made Take the Young Stranger by the Hand much more interesting to readers who are intrigued by the topic but who might be turned off by all the dry details. This is a shame, for by doing so the reader would miss learning about an important chapter in gay and men's history. The YMCA has traveled a long way to its current status as a "family health club", and Take the Young Stranger By the Hand shows us how it got here. The 100 Greatest Gay Novels:
With the end of the century approaching, half the world is busy compiling lists of the best and the
brightest, and queers are no exception.
The Publishing Triangle--best-known for its Ferro-Grumley and other awards--has compiled a list of "the 100 greatest gay and lesbian novels of all time", as voted by a panel of literary judges. Having read most of the chosen books (if I may be so immodest), I can vouch for their quality, though why A Single Man is so far down (or The Well of Loneliness so far up) is beyond me. Nevertheless, without further ado: 1. "Death in Venice" by Thomas Mann. 2. "Giovanni's Room" by James Baldwin 3. "Our Lady of the Flowers" by Jean Genet 4. "Remembrance of Things Past" by Marcel Proust. 5. "The Immoralist" by Andre Gide 6. "Orlando" by Virginia Woolf 7. "The Well of Loneliness" by Radclyffe Hall 8. "Kiss of the Spider Woman" by Manuel Puig 9. "The Memoirs of Hadrian" by Marguerite Yourcenar 10. "Zami' by Audre Lorde
11. "The Picture of Dorian Gray" by Oscar Wilde 12. "Nightwood" by Djuna Barnes 13. "Billy Budd" by Heman Melville 14. "A Boy's Own Story" by Edmund White 15 "Dancer from the Dance" by Andrew Holleran 16. "Maurice" by E. M. Forster 17. "The City and the Pillar" by Gore Vidal 18. "Rubyfruit Jungle" by Rita Mae Brown 19. "Brideshead Revisited" by Evelyn Waugh 20. "Confessions of a Mask" by Yukio Mishima
21. "The Member of the Wedding" by Carson McCullers 22. "City of Night" by John Rechy 23. "Myra Breckinridge" by Gore Vidal 24. "Patience and Sarah" by Isabel Miller 25. "The Autobiography of Alice B. Toklas" by Gertrude Stein 26. "Other Voices, Other Rooms" by Truman Capote 27. "The Bostonians" by Henry James 28. "Two Serious Ladies" by Jane Bowles 29. "Bastard Out of Carolina" by Dorothy Allison 30. "The Heart is a Lonely Hunter" by Carson McCullers
31. "Mrs. Dalloway" by Virginia Woolf 32. "The Persian Boy" by Mary Renault 33. "A Single Man" by Christopher Isherwood 34. "The Swimming Pool Library" by Alan Hollinghurst 35. "Olivia" by Dorothy Bussy 36. "The Price of Salt" by Patricia Highsmith 37. "Aquamarine" by Carol Anshaw 38. "Another Country" by James Baldwin 39. "Cheri" by Colette 40. "The Turn of the Screw" by Henry James
41. "The Color Purple" by Alice Walker 42. "Women in Love" by D. H. Lawrence 43. "Little Women" by Louisa May Alcott 44. "The Friendly Young Ladies" by Mary Renault 45. "Young Torless" by Robert Musil 46. "Eustace Chisholm and the Works" by James Purdy 47. "The Story of Harold" by Terry Andrews 48. "The Gallery" by John Horne Burns 49. "Sister Gin" by June Arnold 50. "Ready to Catch Him Should He Fall" by Neil Bartlett
51. "Father of Frankenstein" by Christopher Bram 52. "Naked Lunch" by William S. Burroughs 53. "The Berlin Stories" by Christopher Isherwood 54. "The Young and Evil" by Charles Henri Ford and Parker Tyler 55. "Oranges Are Not the Only Fruit" by Jeanette Winterson 56. "A Visitation of Spirits" by Randall Kenan 57. "Three Lives" by Gertrude Stein 58. "Concerning the Eccentricities of Cardinal Pirelli" by Ronald Firbank 59. "Rat Bohemia" by Sarah Schulman 60. "Pale Fire" by Vladimir Nabokov
61. "The Counterfeiters" by Andre Gide 62. "The Passion" by Jeanette Winterson 63. "Lover" by Bertha Harris 64. "Moby Dick" by Herman Melville 65. "La Batarde" by Violette Leduc 66. "Death Comes for the Archbishop" by Willa Cather 67. "To Kill a Mockinbird" by Harper Lee 68. "The Satyricon" by Petronius 69. "The Alexandria Quartet" by Lawrence Durrell 70. "Special Friendships" by Roger Peyrefitte
71. "The Changelings" by Jo Sinclair 72. "Paradiso" by Jose Lezama Lima 73. "Sheeper" by Irving Rosenthal 74. "Les Guerilleres" by Monique Wittig 75. "The Child Manuela" by Christa Winsloe 76. "An Arrow's Flight" by Mark Merlis 77. "The Gaudy Image" by William Talsman 78. "The Exquisite Corpse" by Alfred Chester 79. "Was" by Geoff Ryman 80. "Therese and Isabelle" by Violette Leduc
81. "Gemini" by Michael Tournier 82. "The Beautiful Room Is Empty" by Edmund White 83. "The Children's Crusade" by Rebecca Brown 84. "The Story of the Night" by Colm Toibin 85. "Les Enfants Terribles" by Jean Cocteau 86. "Hell Has No Limits" by Jose Donoso 87. "Riverfinger Women" by Elana Nachman 88. "The Man Who Fell in Love with the Moon" by Tom Spanbauer 89. "Closer" by Dennis Cooper 90. "Lost Illusions" by Honore de Balzac From its beginnings in London, in 1844, the "Y" reeked of homoeroticism. The product of evangelical churches in England and America, YMCA's were "Christian support groups" which "offered young men the love and friendship of other young men."
91. "Miss Peabody's Inheritance" by Elizabeth Jolley 92. "Rene's Flesh" by Virgilio Pinera 93. "Funny Boy" by Shyam Selvadurai 94. "Wasteland" by Jo Sinclair 95. "Mrs. Stevens Hears the Mermaids Singing" by May Sarton 96. "Sea of Tranquility" by Paul Russell 97. "Autobiography of a Family Photo" by Jacqueline Woodson 98. "In Thrall" by Jane DeLynn 99. "On Strike Against God" by Joanna Russ 100. "Sita" by Kate Millett |
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